For its second iteration, this public conversation draws on current situations to examine the ways in which dance creates, holds, and presses against a series of spaces – somatic, political, historical, epistemological, collective, filmic, written – to reimagine what choreography can do, as concept and practice, across the contemporary field. Thanks to Anarchival Outbursts and Immediations: Media, Art, Event, the Department of English at McGill University, and the MIRL.